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From Issue: 20 February 2007 | Today:



The Greatest Albums of the Twentieth Century: NasIllmatic

 

Adrian Roomes

 

Nasty Nas. Nas Escobar. Nastradamus. Nasir Jones. Or simply Nas. By whatever name he’s gone by, the Queensbridge native’s signature style and flow have been often imitated, but never duplicated. Completely versatile in the genre he helped pioneer, although not without his missteps along the way, Nas has been in the game for almost 13 years now, and is still regarded as one of the best.

 

So when did this illustrious career start? In 1994, at the tender age of 19, Nas released his first album Illmatic, to an explosion of praise from New York’s hip hop underground as well as the wider rap community, who according to at least one commentator, viewed him as a “messiah” figure for rap.

 

The album itself is short by any contemporary standard. At a minimalist 39 minutes, with nine tracks and an intro, some derided it as lazy or not substantial enough. This was, of course, only before they popped the tape (that was how we did back then) in the deck and actually listened to the thing. One could expound for pages and pages about each track, but I’ll stick to the highlights. The first and arguably best track, “New York State of Mind,” is a sonic trip through Nasneighbourhood of Queensbridge, coming, as he put it, “straight out the fuckin’ dungeons of rap, where fake niggas don’t make it back.” The DJ Premier beat is one of the grimiest ever put on wax, and you can feel the cold, dirty New York City sidewalk underneath your feet. Nas describes, from his 19 year old vantage point, the problems with his city, and how poverty has changed the situation for kids for the worst since he was young:

 

It’s like the game ain’t the same

Got younger niggas pullin’ the triggers

Bringin’ fame to they name

And claimed some corners

Crews without guns are goners

In broad daylight, stick up kids’ll run up on ya

 

Illmatic set the standard for every rap album that came after it. If your raps weren’t as intelligent as Nas’, if your slang wasn’t as fresh, if your beats weren’t as tight, if you didn’t make your listeners feel things like he did, you could make no claim to being the best. In short, Nas was at once child prodigy, street kid, intelligent young man, and gifted poet, and Illmatic was his magnum opus, the culmination of a creative genius’ upbringing in a modern American slum. It is the best rap album of all time and without a doubt merits the distinction of one of the greatest albums of the 20th century.

 

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